Avontuur Estate: A Helderberg Adventure

As the sun sets to the west of Stellenbosch, the soft beams hit the mountain running south, lighting the granite rock faces to an iridescent luminosity. The early Dutch colonists saw this, and subsequently named it the Helder (bright) Berg (mountain). Today the mountain remains true and bright, a major natural landmark and home to one of South Africa’s most distinctive regions where truly great wines are made,

The Helderberg is, however, not a recognised official ward. For there are squabbles among its wine people as to where the appellation’s boundaries should be, debates and squabbles among folk whose availability to time for embarking on pettiness exceeds their commitment to wine and vines.

There are many great wineries on the Helderberg. I have a particular fondness for Uva Mira, Taaibosch, Ernie Els, Rust en Vrede and Alto, and used to like Waterford Estate as well, until learning that farm is more about ego than about wine. A winery that always gives good view on the Helderberg is Avontuur, which was owned by a race-horse breeder whose steeds still wonder the farm’s verdant slopes. I like looking at horses, their necks sloping towards the thick green grass, and the Helderberg Mountains rising behind them.

Avontuur is now seeing true wine activity, this elevated from the low-key vinous offering that formerly trotted meekly behind the horses. The Estate has been revived wine-wise thanks to a partnership between the Taberer family of Avontuur and local drinks corporate DGB, a large and diverse liquor company whose commitment to wine stands firm and true. And is growing.

Although wine has been made on this Helderberg farm for nearly two centuries, the first bottled Avontuur wines were introduced in 1989 by businessman and aforementioned racehorse dynamo Tony Taberer, who acquired the property in 1984. Today, Tony’s sons Philip and Michael are running the show, and it is under these young men’s auspices that the Avontuur wines are being made in tandem with the expert involvement of DGB.

Like all operations on the Helderberg, the distinction of Avontuur’s wines lie in the geography. The vines are set in ancient soils of decomposed granite and sandstone on north-west facing slopes some 25km from the cool maritime air drifting in from the Atlantic Ocean at False Bay, the plants exposed to the glowing warmth of the afternoon sun as it makes its way to set out west. I recently partook of the new-generation wines in the Avontuur Collection wine range, one segment of the estate’s extensive offering. In this range I was presented with three grape cultivars for which Stellenbosch’s Helderberg region is especially famous, namely Chardonnay – the prince of white wine grapes – as well as the red varieties Cabernet Sauvignon and Shiraz, cultivars for which this appellation has garnered world-wide acclaim over the past four decades. Think Rust en Vrede, Alto Estate, Ernie Els and Uva Mira.

The Disa Gorge Chardonnay 2024, found in The Avontuur Collection, underscores my belief that Helderberg Chardonnay is one of the great wine categories found in the Cape. The wine exudes the alluring combination of bright minerality and commanding, assured presence on the palate, whilst at the same time offering vast levels of deliciousness. Lemon meringue, sun-baked hay, lime-zest and grilled nuts abound, flavours shimmering in a cool fresh mist of salinity.

To make this wine, grapes are whole-bunch pressed and fermented in French oak barrels, whereafter the wine ages for another 11 months in barrel – 40% new and the balance 2nd and 3rd fill.

Classic red grape varieties established the Helderberg’s reputation as a renowned wine region in the 1920s, with Shiraz and Cabernet Sauvignon being the area’s best-known red cultivars.

In its Stone Field Syrah 2023, Avontuur showcases the wonderous merits of cool-climate Syrah with a perfumed, elegant red wine that is set to become a leading example of Stellenbosch’s wine offering from this grape variety. During the fermentation regime, the grapes and juice are pumped-over every eight hours to allow the juice to draw colour, tannins and flavour from the ink-black skins.

To maintain maximum fruit-purity and linearity in structure, the fermented wine is placed in large 5000l foudré vessels for 14 months, with the lees being regularly stirred to impart body and added flavour. It all leads to the Avontuur Stone Field Syrah 2023, a wine vividly displaying a range of delectable red wine flavours including that of dark berries, plums and olive, with that umami-savouriness on the finish.

Stellenbosch is known as South Africa’s kingdom of Cabernet Sauvignon, arguably the world’s most renowned red grape variety, with the Helderberg being especially famous for the noble features found in its wines made from this cultivar.

In Avontuur’s The West Peak Cabernet Sauvignon 2021, one of the ward’s finest Cabernet Sauvignon renditions is found, a wine of both commanding power and multi-layered refinement.

After fermentation, this Cabernet Sauvignon was aged in French oak barrels for between 16 to 18 months before the components were blended for the making of the final wine.

The result is a majestic Cabernet Sauvignon harnessing dark-fruit and fynbos flavours with a sleek, muscular structure. Notes of prune, graphite and pine-needle are cloaked in a veil of elegance, the greatness of The West Peak Cabernet Sauvignon 2021 amplified by the fact that this year saw one of the best red wine vintages in recent memory – making the drinking of this wine not only an experience, but a true adventure that does justice to its place of origin. Which is, clearly, a special one.

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100 Years of Alto, and the Song Remains the Same

As in all art, nothing can ever be perfect in the wine world. But Alto Estate does come impossibly close.

Location, yes. Alto lies on the slopes of Stellenbosch’s Helderberg, one of the patches of God’s earth that manages to combine spine-tinglingly magnificent scenery with geography and geology that is ideal for the growing of grapevines. It is mountain granite from the Cape’s Fold belt that has been ground down over the past 1,5 million years, iron-rich and red and rocky, and lovely soil for wine vines to get stuck in.
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The Lourensford Always Rises

When talk of Lourensford Wine Estate first started hitting the wine scene some 20 years ago, expectations were simply stratospheric. This is a magnificent old farm above Somerset-West, part of WA van der Stel’s spread going back to 1709. And if all the reports and hype were to be believed back then, Lourensford was going to be unlike anything the wine industry had ever seen.

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Waterford Oozes Red Wine from Blue Blood

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It is Waterford Estate, and I’m on a mission. But it’s easy to get side-tracked. The farm lies on the Helderberg-side of Stellenbosch, up Blaauwklippen Valley way and the wine region equivalent of a limited edition Bugatti or pure-bred racing stallion. The scenery of vines, mountain, meadows, pastures and forest makes you feel as if you’re driving in a painting done by an artist who still has to be born.

Entering Waterford Estate itself feels like a movie set, one where a Latin-looking guy on horse-back canters through the citrus orchards, pulls-up before the rural-chic building built from reddish-beige bedrock and dismounts to grab a cool glass of Chardonnay. Someday, I want to be that guy.

The tasting room is welcoming and spacious with young, bright staff appearing genuinely glad to see you, even if you are one of the hundreds of visitors they host per week. A gourmet-looking coffee machine is parked in the corner, and from behind a high counter, relaxed and efficient men and women orchestrate the array of wine-tastings on offer. From experiencing reserve selections to matching wine with tailor-made chocolates, to simply sitting in the courtyard pondering life and time over a glass of Sauvignon Blanc or cup of perfect espresso, the Waterford ambience is not conducive to rushed agendas or the meeting of structured deadlines.

But today my mission is another step in a long-time quest to discover the story of Stellenbosch Cabernet Sauvignon. This quest is not going to be ending anytime soon – if anytime at all – but is one hell of a fascinating journey for someone who like me believes Cabernet to be South Africa’s greatest red wine grape.

Cabernet Sauvignon lies at the heart of Waterford, and in the soul of its cellar-master Kevin Arnold. Of course, Arnold has been around a long time before Waterford.

After studying at Elsenburg, the Bloemfontein-schooled Arnold worked under the legendary Spätz Sperling at Delheim from 1970 to 1987. This was followed with 10 years at another blue-blood Stellenbosch winery, Rust en Vrede, until an opportunity of a lifetime came along in 1998. Businessman Jeremy Ord wanted a wine farm on the Helderberg, a cellar and brilliant wines under the name of Waterford. And the man he wanted to make that happen as his partner in the operation, was Kevin Arnold.

Kevin Arnold and Mark le Roux. FOTO: John Ford, adamastorbacchus.com
Kevin Arnold and Mark le Roux. Picture: John Ford, adamastorbacchus.com

“From our first harvest in 1998 I pretty much had a clean slate,” says Arnold. “With the proviso that the business became cash positive after six years.”

Well, 18 years later and with Waterford comfortably sitting at the rarified top-end of the list of South Africa’s finest wineries. The slate is now well-scribbled, with ticks outnumbering crosses.

The range of wines is extensive, from Sauvignon Blanc to Pinot Noir, Cap Classique and Shiraz, Chenin Blanc and Chardonnay. But mention Waterford and Cabernet Sauvignon, and tones become hushed, an atmosphere of reverence in the air.

“The Helderberg is not only one of Stellenbosch’s, but one of the world’s great areas to grow Cabernet Sauvignon,” says Arnold. Knowing the more northern region of Simonsberg like the back of his hand, thanks to time at Delheim, he says Stellenbosch is blessed with these two Cabernet Sauvignon power-houses each offering great wines characterised by differences in terroir.

“Helderberg is a rugged, diverse area with valleys and rifts holding huge differences in soils, aspect and exposure to the elements,” says Arnold. “The Simonsberg slopes are more homogenous, even and flowing.”

Mark le Roux, who has been Arnold’s winemaker since 2013, shares Arnold’s fascination with the effect and influence of geography on grapes and wine-making.

“The soils here on Waterford are fascinating,” he says. “They are varied with granite, tukulu and some oakleaf, but when I got to know the farm I was really surprised to see how poor the soils are here and in the general Helderberg. Rocky. Stones. Impenetrable at parts.”

From a way off, the vinelands of Waterford and the Helderberg may look all post-card picturesque. But for a vine and a wine farmer, it is tough territory. And let’s not even mention the “pumping” south-easterly wind.

That is, however, up in the mountains behind the airy comfort of the Waterford courtyard where a few vintages of Cabernet Sauvignon have been opened and decanted.

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“Our approach to Cabernet involves serious attention to the role of tannins,” says Arnold. “The vineyards have done the hard work in ripening the grapes to give us the right raw material to work with. Here the approach with Cabernet is gently does-it. Soft pump-overs to ensure sufficient skin contact that draws the desired degree of tannins and colour from the skins to great balance and elegance. No frenetic manual punch-downs or over-extraction.”

Wood maturation of between 18 and 20 months is in 30% new barrel – once again, tannin control – with the balance of the wine going into anything up to 6th fill.

“One thing that impressed my about Waterford when I first got a glimpse of the winery as a student in 2005 was the simple, no-airs approach,” says Le Roux. “There is nothing fancy in the wine-making process, and nothing gets over-talked.”

Before us, it’s the Cabernets are doing the talking. A 2001 is fresh and alive, brimming with crushed berries and carrying a hint of savoury and pine-needle complexity. The wine of 2003, from a hot and stellar vintage, is an indication as to why Arnold compares the Helderberg to Bordeaux’s Pauillac region. The wine has a sculptured, sinewy structure followed by an immense power, a wave of black fruit, cedar and a tangy, perky finish. A world-class wine that makes your ears zing with pride.

What’s more, at 13 years old, the best is still to come from this vintage.

I comment on Waterford’s focus on older vintages. “Great wines are timeless, and longevity is an important part of our wine-making approach,” says Arnold. “To stand up and be counted as a winery, I believe you have to be able to put 10 vintages of the same wine on the table. That is how you judge a producer, on his or her ability to do this and – of course – the quality of the line-up.”

Moving to the Waterford Cabernet Sauvignon 2013, it is apparent that the wines are definitely approachable at an age younger than the previous two to which I had been exposed. Here the meticulous approach to tannin control pays off, allowing the wine to show fruit composition complemented by a delectable juiciness with a tight finish giving a glimpse of the greatness to come over a few years’ bottle-aging.

Wine quality has always been a given at Waterford. But what makes a winery succeed in creating a successful brand, something the farm, its wines and people have done in a relatively short lapse of time?

“Consistency,” says Le Roux. “Once people have become accustomed to receiving nothing but quality from your product, then the brand achieves status.”

Arnold, however, says the world’s best brands, from fashion to jewellery to wine, must have custodians. “Excellence is largely created and driven by the people associated with that brand. No matter what the product is, everyone likes to know it has a human face and personality behind it.”

And it is here. In front of me, drinking Waterford Cabernet Sauvignon.

Mission accomplished.

  • Emile Joubert for VISIO Magazine

 

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Road to the Old Frontier

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Despite the centuries of blue-blooded Cape wineland culture resonating from its splendid buildings and vineyards, there is something wild and sparse about Meerlust that intrigues me. As if the entrance gate next to the dam is a frontier post, beckoning those who have crossed wild, unwelcoming terrain from Cape Town and is now about to take the first steps into the amicable palm of Stellenbosch’s wine region.

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Chardonnay’s Heart at Hartenberg

Carl Schultz from Hartenberg waltzing through the vines.
Carl Schultz from Hartenberg waltzing through the vines.

Perfection, or near perfection, must be a heavy burden. How do Carl Schultz and his team at Hartenberg Estate handle it? Such a diverse range of wines, all made to such high standards – it’s all enough to make a French vigneron kick a hole in a vat of 1928 Armagnac.

Hartenberg makes a mean Merlot. Stupendous Shiraz. Riveting Riesling. Cracking Cabernet. But my heart was won over, again, recently by the Chardonnay. Not the iconic Eleanor, but the straight-up Hartenberg Chardonnay from the very classy 2009 vintage.

This came courtesy of a good offer from my sales agent at the Wade Bales Wine Society at a price that made me wonder if this stuff hadn’t fallen from the back of some truck. But I bought a case, most of which has been sent down the hatch, leaving me half-a-bottle from which to contemplate.

The wine is clear and attractive with a lovely greenness to the golden robe, as usually worn by a classic Chardonnay south of the Beaune region in Burgundy. A chunky firm attack on the palate leads to an armada of ripe fruit, from stewed quince, grated Packham pear, kumquat and Key Lime Pie. This is all supported by a zesty acidity, giving the wine more life and verve than a Mavericks’ dancer on Free Russia Day.

Unlike said dancer, the Hartenberg Chardonnay only has a bit of wood, not enough to mask the life in the wine but just the right amount to provide a silky, buttery mouth-feel and a lingering finish.

Score: 9013/1000

 

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To Rustenberg with Cruz – and Love

 

Penelope Cruz shows Burgundy bottles, but likes Cabernet.

I was looking at the prostitute and thinking about a wine from Stellenbosch. Okay, the aforementioned was not a real slut. It was just Penelope Cruz playing one. One called Anna in Woody Allen’s masterly new movie To Rome with Love. Halfway through watching Cruz-Anna’s pouting?+¦-+???+¦-ú?-¦?+¦-+?-+bending?+¦-+???+¦-ú?-¦?+¦-+?-+seducing?+¦-+???+¦-ú?-¦?+¦-+?-+stroking and my mouth was dry as a Keimoes pot-plant, my rampant heartbeat disturbing the chick with the hearing-aid sitting next to me.

A skilled, classic acting technique with Pinteresque comic timing tends to do this to us artists.

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No Cult Wine in the Making – Keets First Verse is Already Here

Chris Keet (photograph plagiarised from Neil Pendock's blog.)

Seeing as wine commentary is ?+¦-+???+¦-ú?-¦?+¦-ú?+¦+¦ like all commentary ?+¦-+???+¦-ú?-¦?+¦-ú?+¦+¦ personal and subjective, one is allowed the confident luxury of making big statements. Make too many of them, and their effect is obviously diluted. So before coming up with a massive missive on a space such as this read by about 12 wine enthusiasts, three of my closest friends as well as my brainy dachshund Maximillian, careful consideration is required. Continue reading

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