Wine Woman of a Century and More

Madame May-Eliane de Lencquesaing turns 101 years old today, 17 May. Here’s a profile I wrote on her a few years back. Remarkable woman and the Grand Dame of World Wine.

Wine blood does not run much bluer than that flowing through the veins of Madame May-Eliane de Lencquesaing. And although those veins are now 101 years old, the pulse within them remains alert, bright and war

When she was born in Bordeaux in 1925, she entered one of the most respected families in the world’s most famous wine region. Her father, Edouard Miailhe, was the fifth generation of a family that, since 1783, had owned several of Bordeaux’s distinguished châteaux, among them the celebrated Château Palmer and Château Pichon Longueville Comtesse de Lalande, names capable of making any wine lover’s mood transcendental.

Yet even if one is born into the upper reaches of the most renowned region producing some of the most coveted wines on earth, Madame May is quick to remind one that the wine world has always carried its share of hardship, tragedy and difficulty.

“Take Bordeaux,” she says. “Today it is so wealthy and so sought-after, with billionaires trampling over one another to acquire a patch of vineyard there. But it was not always like that, you know. From 1900 to 1960, it was a disaster to be a wine farmer in Bordeaux.”

Madame May.

First came phylloxera, the pestilence that, in the late 1800s, destroyed two-thirds of all vineyards in Europe — and in South Africa too. Just as Bordeaux had replaced its dead vineyards and begun to look once more towards winemaking, the First World War broke out in 1914.

“And then there were no men to work in the vineyards or make the wine,” Madame May says. And perhaps here one begins to understand the origins of the drive and resilience that would make her such a formidable woman of wine. “The men of Bordeaux went to fight in the war. They died. And who had to work the land and make the wines? The women. The children. The old people.”

After the war ended in 1919, there was a brief period of prosperity — during which Madame May was born in 1925 — and then came the worldwide depression of 1929.

She shakes her head slowly.

“And then, for the wine people of Bordeaux, another disaster followed. Between 1930 and 1940, Bordeaux produced only two decent harvests: 1934 and 1937. The wines from the other years were dreadful. The grapes rotted from all the rain, and the wines were little more than vinegar.”

As a teenage girl living on the wine estate Château Pichon Longueville Comtesse de Lalande, Madame May was still listening to her father’s frustration over these sluggish and miserable harvests when, in 1939, the Second World War began. France was invaded by Germany in 1940. For the Germans, the French wine industry was one of the crown jewels in their attempted march towards world domination.

“The Germans naturally thought they were going to win the war,” Madame May recalls, “and so they were determined to protect the wine stocks of Bordeaux, Burgundy and Champagne, and to ensure that wine production continued during the war.”

Bordeaux was placed under the command of a so-called Weinführer, this a Nazi officer and wine expert whose task was to keep an eye on the activities of the wine farmers and to see that the wine industry continued without interruption.

“I remember this man, the Weinführer Heinz Bömers, a colonel,” she says. “The first time he came to see us on the estate to explain how things would work under the German occupation, he held out his hand to greet my father. But Papa just stood there and refused to take it. Then he said to Bömers: ‘While you are wearing that Nazi uniform, you are the enemy. But if you come back tonight without the uniform, then we can speak as wine friends.’”

What the German officer and the other Nazis in the area did not know, however, was that Madame May and her father were hiding two Jewish families on their other estate, Château Palmer.

“Seven Jewish people in all,” Madame May remembers. “Two couples and three children. They were from Italy. The men were in the wine business and were acquaintances of my father. The families had come to Bordeaux in 1939, when things were becoming dangerous for Jews in Italy, not knowing that the Germans would invade France. So we hid them at Palmer, in a room that had been specially walled up.

“Every day I rode to that house on my bicycle. The Nazis would stop me and search me, but all I had with me were carrots and cabbage and potatoes. When they let me go, I went straight to the estate to give the Jewish families their food. Every day.”

Her days in the vineyards came to an end in 1950 when she married Hervé de Lencquesaing, an officer in the French army who would later attain the rank of general.

“And then I became a soldier’s wife for almost 30 years,” she says with a smile. “We were stationed all over France, and we also lived for a long time at the military base of Fort Riley in Kansas. I had four children. I occupied myself with friends and hobbies, entertaining, that sort of thing.”

But in 1978, Madame May returned to Bordeaux to take the reins at Pichon Longueville. It was here that she made her mark as sole owner and custodian of one of the world’s great wine addresses.

“My wine knowledge was a little rusty, so I had to enrol for a diploma in winemaking,” she says. “But it was a good time, because from 1965 Bordeaux had begun making money from its wines again. After the war, the Americans in particular started taking more notice of French culture and French wine. They began importing and collecting our wines, and Bordeaux was sought-after and in a strong position.”

It is widely accepted in wine circles that Madame May was one of the leaders of the campaign to elevate Bordeaux’s status in the 1980s and bring it to where it stands today. Not only did she ensure that the wines of Pichon Longueville remained of the highest quality, but year after year she travelled the world with her wines, giving lectures and hosting tastings to introduce people to her wines and to the magic of Bordeaux.

It was on this international stage that her connection with South Africa began, thanks to her meeting with Dr Anton Rupert.

“He was one of my best friends,” she says, “a formidable, wonderful person. In the 1990s, Anton began asking me to invest in South Africa. There was, he said, so much hope for the country. He told me I could make a contribution by becoming involved in its wine industry — not only economically, but by helping the country and its people.”

Dr Rupert’s powers of persuasion were matched only by Madame May’s force of will. In 2003, at the age of 78, she bought a neglected 120-hectare fruit farm near Idas Valley outside Stellenbosch. And she began to farm.

“I brought my team from Bordeaux, and together with local experts we created this estate,” says Madame May, who was clearly at the helm. “I wanted the vineyards planted in such a way that they would not take the full blow of the south-easterly winds. And we had to allow the full glory of the sun to fall on the vines — morning sun and afternoon sun. That is one of the wonderful things about South Africa: the sun. In Bordeaux, in some years, we struggle desperately to get the grapes ripe. Here, in Stellenbosch, there is beautiful sun.”

Now, as her own sun slowly lowers, Madame May has handed over the reins of Glenelly. Her grandson, Nicolas Bureau, currently manages the estate, while Madame May divides her time between Bordeaux, Switzerland and Stellenbosch. The link between the crown of Bordeaux and South Africa remains strong.

“That is what wine is,” Madame May says, smiling and looking directly at you. “Wine is a link between people. It brings people together around a table. It brings together people from different nations.”

She pauses, thinking, and looks up towards the ceiling.

“Wine is our connection with culture, our connection with civilisation, and with love.”

Somewhere, a heart is beating.

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Bordeaux the Mighty

Lady Luck has been a most gracious travel companion on my road of discovery and enchantment through the world of Bordeaux wines. I have been blessed and fortunate to have her beside me, and all I can express is my deepest gratitude for the company. Sincerely.

This love for Bordeaux began in Swinging Seventies London, where my journalist father would keep a portion of his annual salary aside to procure a case of Calon-Ségur, the Saint-Estèphe Third Growth familiar for wearing its heart on its label. Thus, before the age of ten, I had been fortunate to experience the reverence for Bordeaux among our family and friends when one of these bottles were opened. And even getting the chance to sip a symbol of the pungent purple liquid which, although not as attractive to my infantile palate as Tizer or Cream Soda, commanded sensual attention.

It was in 1986, however, when Lady Luck firmly took my hand during a hot June afternoon in London where I had been shown through a line-up of Australian Chardonnays by the late Pamela Vandyke Price, a leading British wine writer and formidable personality. To this day, I can’t remember how I ended up in her townhouse near the Royal Albert Hall, just her and I with a row of chilled bottles. We drank a glass from each bottle, her melodiously stern voice describing the various Chardonnays’ origins, cellar techniques used and flavour profiles. I had little interest, I confess. Then a 22-year-old Stellenbosch student, I was here for the free booze first and foremost.

Pamela Vandyke Price, The Legend.

My gills were green with Chardonnay, and the golden light spilling into Pamela’s book-piled drawing room was getting soft when she made a suggestion. “What about some red to polish the acid from our mouths, shall we?”

I presumed the red she was alluding to was wine, a kind I was far more familiar with than Chardonnay, Australian or otherwise. Back in Stellenbosch, a considerable amount of my student allowance was being spent on Tassenberg and Chateau Libertas, so perhaps a glass of red wine would allow me to join Pamela in winey conversation, instead of standing there like a loose-limbed, long-haired cad.

She disappeared and returned with an opened bottle of wine, which I could see was about half-full. “I thought I bit of Claret would do, seeing as the day is turning to dusk,” she said, “I opened this last night for a few snorts with supper, so it should be well aired.” The wine turned out to be a Bordeaux. Château Haut-Brion 1962.

Trying to sound somewhat enlightened and not totally an ignoramus, I told her yes, I too knew of Bordeaux and specifically the Calon-Ségur my father piled-up. Pamela filled two glasses – Paris goblets – and let rip with a chatty and charming precis on Bordeaux, the Left Bank and the Right. The Médoc. And the four First Growths of the 1855 classification, with Mouton-Rothschild moving from Second to First in the 1970s.

The wine in our glasses, Haut-Brion, was the only First Growth not from the Médoc. I was dying to taste the stuff, but first had to join her at her desk to pore over a map of Bordeaux, following her forefinger as she raced off names of Chateaux and appellations.

“Now, taste,” she said as we sat down.

It was something I’ll never forget. Red wine, this I sort of recognised. The rest was unknown to me, a pounding and overwhelming onslaught on the senses, flavours and a texture and a prod of awakening enlightenment that no liquid – or any other consumable item – had ever offered. It was soft like velvet yet backed by a seemingly supernatural power and a thunderous force. There was something wild and savage about the wine, something windy and bloody, but also a chiselled, harmonious purity.

Then and there, all this talk I had been hearing on British television about wine, displayed in the full-page articles in The Times and in my mother’s Gourmet magazines; the wine-speak peppered ramblings by my parents’ glass-holding, bottle-admiring friends…it began to make sense. I took another sip of this Bordeaux, and it clicked. In wine like this one in my glass, there is something mysterious, something wise, and something great.

A lot has changed since that first experience with a great Bordeaux, the most obvious being that it has become so much harder to come by for reasons of price and scarcity.

But Lady Luck still checks-in, now and again, allowing me on certain occasions to submit myself to the wonder that is great Bordeaux. And when I do, it is with the unstudious and unashamedly child-like enthusiasm of joyous abandon. No notes, research or geeky analyses. Just allowing the wine to show its unconditional love, and me to love it back.

Only last week the Lucky Lady rocked up, with me being offered a place at an extraordinary Bordeaux experience in Cape Town. Here the star-studded list of wines opened was of such statuesque provenance and immense monetary value that I am wary to repeat them, as it all sounds so decadent and ostentatious, if not self-congratulatory and plain bragging. Suffice to say that Pétrus and Cheval Blanc and Ausone popped-over from the Right Bank, while all five First Growths were poured from bottles going back to 1959. On the Sauternes side, none other than d’ Yquem.

Besides this opportunity being an enormous privilege, the overriding take-out from the experience was the affirmation that, for me, fine Bordeaux wine deserves its reputation and status as – along with Burgundy – the very best that the vast world of wine has to offer. Whatever happens in Barossa or Napa, Stellenbosch or Mendoza, Rioja or Piedmont, wherever the future of good wine heads towards, Bordeaux will always be the Mothership. The one to which we return, the one that commands the most respect, provides the mystery, offers the only possible answer to the eternal question of what really good wine is meant to taste and feel like.

If forced to and if under duress, I may select three memories from this splendid night.

Le Pin 1989 (Pomerol): Breathless, totally breathless in its long, reverberating succulence and flirtish display of red fruit, tobacco-leaf and warm, wet gravel running on a taut bowstring of tight, fine tannins. It brings aroma and flavour, visceral and evident and pronounced, but these are carefully placed on the senses like an angel laying a mosaic floor. Every part knowing exactly where it wants to go with a vision of eternal perfection.

Château Mouton Rothschild 1961 (Pauillac): The 1961 vintage is known as one of the greats, and the condition of this 61-year-old wine reaffirms this reputation. Landing in a remote village in the Amazon, a friend said that smelling the forest was “like breathing for the first time”. This is what the aroma of this wine did to me. It was a maritime mist threading through wet trees, with a fragrance of blossoms. On the palate the wine lay cool, comfortable and gracious, a mound of fig-paste, cherry and tobacco leaf with an intriguing note of warm tar. Totally complete, not a note out of place, tannins flittering like baby spiders across the tongue, teasing, titillating and all frighteningly beautiful.

Château Haut-Brion 1989 (Pessac): Pamela Vandyke Price, I don’t what you are sipping in the heavens, but this glass was on you, you who opened the stained-glass window on Bordeaux. For me. Tannins are still muscular, rippling and flexing, but not showy or self-satisfied. A kind frond of dry pine-needle strokes a bed of mulberry and dark fruit, while a Havana cigar-box awaits to be lighted. The wine’s power is immense, not a weighty or brooding power, but one with a wet, throaty growl. Balanced perfection, fruit and acidity singing from the same hymn-sheet displaying taste and presence still-yet unimaginable to the senses of the mortal, making immortality worth striving for.

Luck be a lady, and what a lady is she not.

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There Shall be Blood

Before fleeing certain death at the hands of the rampant Catholic hordes, my forefather knelt before the grave of his old man in the cemetery in La Motte D’Aigues. There Pierre Joubert promised that «Notre sang Joubert continuera à travers les vigne de l’Afrique » (Our Joubert blood shall continue through the vines of Africa.)

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Between a Rock and a Chablis Place

I am having a slight disagreement with Danie de Wet about limestone, that integral soil component needed for the growing of great Chardonnay grapes. And the debate’s gist involves creepy-crawlies and seashells.

Robertson, home to Danie and De Wetshof, also has the highest limestone content of any South African wine-producing region. Like Burgundy and Champagne has shown, Chardonnay comes to the fore in chalky lands. It has to do with pH and balance in the wines; structure and verve and longevity.

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A Great Wine Needs a Good Piece of Common Meat

hamburger5

A good hamburger is a thing of greasy, bloody beauty. Lambasted and mocked for its status as the junkiest of all junk-foods and its supposed representation of American imperialism, the hamburger simply does not get the recognition it deserves as a great contribution to the culinary arts.

And as a partner to good wine, well, here the humble burger does not receive much air-time, commentators preferring to discuss wines paired with exotic hunks of organically-procured wagyu beef scrotum, simmered sous vide style and drizzled with a jus made of herb-fed, spa-raised deer carcass. On the side, rocket-infused crushed Peruvian blue potatoes drizzled with white truffle oil.

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Travels of Power and Seduction on the High Road

From coke-head to wine boffin, Jay McInerney.
From coke-head to wine boffin, Jay McInerney.

Jay McInerney, the American novelist who proved that one can become a competent wine writer after years of heavy cocaine snorting, says he can smell a Haut-Brion Bordeaux wine from across the room. Whether this says something about that wine or Jay’s perceptive olfactory sense is not clear, but after all the Bolivian marching powder the Dude did, my money is on the wine.

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Home is Where the Noir is

Giorgio Dalla Cia. The Maestro.

A recent relentless travelling and business schedule in France had me pushed to the west, direction Bordeaux, throwing the flavours of Pauillac, Sauternes, duck hearts and Arcachon oysters at me with such feverish abandon that I did not even get around to drinking one red Burgundy during my stay. Okay, I did enquire at a wine market, once, but asking for Burgundy in the French west is pretty much like requesting a hymn-sheet at a Die Antwoord concert.

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