Grape Expectations from Thamnus Wines

Let’s hear it for the grape, for once. Being a red-blooded Afrikaner distilled from farming stock on both sides, I like earth and dirt and the wild rhythms of climate as much as anybody. And yes, this thing rapping to the tune of terroir is a no-cannot-do in the melody played by wine’s orchestra. But sometimes I feel the need to take a step back and focus on the grapes themselves: the diversity of varieties out there, the DNA pedigree built into each cultivar, and the particularity of character they show.

Since being exposed to the wines of Thamnus, the winery out Overberg way on the far side of Upper Hemel-en-Aarde, the thing that struck me was the absolute tuning-fork precision in the way Thamnus delivers its two wines, namely Chardonnay and Pinot Noir.

Talk of these two Burgundy varieties tends to centre especially on matters of geography and terroir, the reason being that this French region has pretty much claimed the wine world’s most authentic lineage to soil, climate and slope. So anyone making Pinot Noir and Chardonnay, from Margaret River to Marlborough, Stellenbosch to Tuscany, will be obliged to underscore terroir as the driving force behind their interpretations of these two varieties.

For me, however, I look at the Thamnus wines and just think: grape. And the deliciousness of these wines, a gorgeous, tasty moreishness originating from green-gold and purple-black bunches of berries growing on vines planted in neat rows under the endless African skies of the Overberg.

The recent releases of Thamnus Chardonnay and Pinot Noir, vintages 2023 and 2022 respectively – my second vintage encounters of the Thamnus kind – underscore the fact that the winery has developed a signature note with which to ascribe its wines. Namely, absolute purity of expression of the two varieties themselves, providing consumers with the sensorial experience of why these cultivars are so desirable for those with a partiality to fine red and white wine. This is as much a result of the quality of fruit as it is the attention of Thamnus’s engaging winemaker, PJ Geyer, who together with marketer Bubbles Hyland creates a sprinkling of sparkling voices to back up the brand.

Chardonnay 2023, well, that was the vintage of storms. Being Chardonnay, the grapes came in before the heavens opened and torrents of water cried havoc. Half of the grapes were whole-bunch pressed, with the juice naturally settling for 48 hours in stainless steel before being transferred to barrel. The other half was destemmed, pressed, and settled with enzymes for 24 hours. Fermentation lasted around two weeks, after which the barrels were topped and the wine matured for nine months, 29% in new wood.

PJ Geyer

By the time I cracked the Thamnus Chardonnay 2023, the wine had more than a year’s bottle age, an aspect to which I ascribe its overriding feature – generosity. A comforting taste of something at home in its own skin, without the edgy, neurotic manners of younger, rushed wines that are forced into trying too hard to please.

And this is where Chardonnay shows true beauty: an inviting embrace reverberating with kindness and pride in its sense of self, as layers of aroma, flavour and textural delight are unveiled in a manner capable of rekindling the most joyless soul.

It smells like Chardonnay from three paces, a marzipan waxiness offset by jasmine, honeysuckle and sorrel, with just an ever-so-slight crisp crack of fynbos wilderness offering a mysterious, feral calling.

As the first rivulet pierces the keenly waiting lips, the mind eases into terrain both familiar and bewildering. There is the flavour of Chardonnay, here statuesquely carved from a block of Carrara marble warmed in the air of a Tuscan summer. Heavy-peeled citrus fruit – mounds of it – but sun-soaked and joyous instead of mineral and mouth-puckering. Hazelnuts, grilled and bashed into slivers, strut alongside the citrus, while a precocious, darting spot of nectared sweetness latches onto nuts and lemon, offering a moment of vinous harmony.

And, of course, mouthfeel allows all this to occur to its absolute utmost. The wine is vigorous in the assertive manner with which it speaks Chardonnay – lots of energy and thrust. But a set of supple, worked-in leather reins manages the reverberating, eager gallops of flavour and all-encompassing presence, leading to profundity and an extraordinary experience. Of wine, and of its child named Chardonnay.

Pinot Noir, apparently, hates to have the term “typicity” thrust upon it. For this, check the worry in my eyes: because Thamnus Pinot Noir 2022 is unashamed in its offering of textbook Pinot Noir traits, unblemished by talk of terroir-driven curiosities that mostly just complicate things, wanting the consumer to believe he or she is partaking in a cult-like or religious experience when all you want is a great glass of wine tasting like Pinot.

In the cellar, PJ and the Thamnus team skipped whole-bunch fermentation. They didn’t need it, as the season’s glowing sunlight had already given the fruit enough tannic backbone. Instead: controlled extraction in five-ton fermenters, gentle pump-overs, and a 10-day maceration. No theatrics, just confidence. Natural malolactic, ten months in 36% new French oak, enough polish to shine, not enough to smother.

It opens with rose petals and violets, but not the perfumed kind, more like the smell that lingers on your shirt after walking through a high mountain field at dawn.

On the palate: red cherries, wild raspberries and – textbook Pinot Noir here – a touch of forest floor and a dab of allspice. An earthy, honest, grounded impression where land, agriculture and a refined mystical allure meet. There is a dance between freshness and texture, acidity and fine tannins. The wine is bold and opulent, with enough grace and craftsmanship to give one a sense of what this ethereal grape named Pinot Noir is truly made of.

In terroir we trust. But it’s the grape itself that allows us to truly believe.

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The Wild Cape West that tamed Pinot Noir

Sometimes, the wish is for it to be forever autumn in the Western Cape of South Africa. Yes, spring is a damn fine time of the year, too, as the bright blue days envelop the earth with a glowing warmth, this so welcome to the soul and the body after a raw, grey Cape winter. But I love the easy season that is autumn, which passes like one long relaxing, satisfying sigh after a hot summer. The days are, currently, still warm to the point of discomfort and the sun’s summery harshness is still evident at mid-day.

But as the days close, the light softens, spreading a broad, deep glow over the Cape, with the air cooling to a pleasing freshness as the sun sets and the brisk air draws aroma from the ocean, descending upon the city with scents of oyster-shell and salt; brine and seaweed.

In this season sandwiched between summer and winter, my wine preferences change along with the days’ atmospheric presentations. Over the past few months, buckets of Chardonnay and Sauvignon Blanc and sparkling wine have been consumed, much of it due to deep-drawing wanton summer thirst. Now here in autumn, my drinking is less frenetic in action, with the need for the offering from the vineyard still being as keen as ever. I will probably drink slightly less, but will be drinking with greater gusto in search of flavours that be seductive, alluring and selfishly satisfying.

This autumn I have noticed empty bottles of Pinot Noir piling-up at the recycling bin, leading me to the logic that this variety is currently being entertained by my vinous desires. Looking at the empties, most are well-known suspects: Newton Johnson, Hamilton Russell, Paul Clüver, Iona… heavens, even a bottle of Two Oceans Pinot Noir 2015 slipped into the realm.

A newish Cape Pinot Noir that found its way into the selection, and due to its tastiness is being reassessed as I here type forth on an autumn Sunday, is the wine from Fryer’s Cove at Doringbaai on the West Coast some 300km north of Cape Town.

It is a good time to be talking about this wine, as that part of the West Coast from whence it originates is particularly splendid during this time of the year. It is God’s Country up there next to the Atlantic Ocean at Doringbaai where Fryer’s Cove winery commands the former crayfish factory that was built in 1925. The ocean roars and broods and spits, sunlight paints the town and the surrounding dune-veld in ever-changing vivid hues, and the local atmosphere is akin to John Steinbeck’s Cannery Row, only here the local parlance being in strikingly colourful Afrikaans, where a kindred admiration for one’s mother – and the mother of others – receives especial attention.

Liza Goodwin, Fryer’s Cove winemaker out West.

As far as wine is concerned, Fryers’ Cove is especially known for its tremendous Sauvignon Blanc wines made from grapes growing just outside Doringbaai a few hundred metres from the ocean. But with the extreme physical conditions up there, it is no surprise that the frigid soul of the Pinot Noir grape has found a home, resulting in a charming and very delicious red wine.

Grapes for Fryer’s Cove Pinot Noir grow just north from Doringbaai in the region of Lutouw. If this address is confusing, be assured it is just there by the well-known place of Koekenaap. You know, that town just east of Papendorp, mos.

The Pinot Noir is planted some 15kms inland from the Atlantic Ocean, soils being sandy. Rainfall is only 150mm a year and even at the height of summer, midday temperatures are known to barely pass 25°C. Even with irrigation, the growth cycles are prolonged due to the real cool conditions, resulting in small berries with immense fruit concentration.

In its making, Pinot Noir grapes are harvested in the early morning hours and trucked to the Fryer’s Cove winery at Doringbaai, some 35km south from Lutouw. After destemming, the berries are cold-soaked for three days. Fermentation takes place in stainless steel tanks with gentle pump-overs twice daily to extract colour and tannins from the skins, all the time taking care to not disrupt the balance Pinot Noir requires for ensuring elegance and finesse in the resulting wines.

“Pinot Noir is a thin-skinned grape – literally and figuratively,” says Liza Goodwin, Fryer’s Cove winemaker. “As soon as you begin to work harshly in the critical fermentation stage, the equilibrium can falter, resulting in harsh tannins taking over,” she says. “But again, if you go too gentle, the wine becomes thin and diluted. No wonder they call Pinot Noir the heart-break grape – it has a will of its own and requires utmost diligence from the winemaker, each step of the way.”

Once fermented, the wine is matured in 3rd and 4th fill 500L French Oak barrels for eight months before being bottled.

In the mouth, Fryer’s Cove Pinot Noir 2023 cracks, whistles and rips. It is a busy wine, despite Pinot Noir’s reputation for being one of broody elegance. Here, there is fruit, and lots of it, namely sour cherry, mulberry picked green and a run of Ribena. The fruit splatters and moves, crunches, but at the same time a lasso of grippy tannins corral the brightly flavoured medley into a wine of interesting structure.

It explodes in its attack on the mouth with Ukrainian drone-like accuracy, warming on the mid-palate to caress with further layers of fruit, a twang of salt-lick and a just-discernible secondary note of autumnal forest-floor. The latter will be furthered as this delectable Pinot Noir ages, and if it is forever autumn, then it is all right by me.

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What a Whopper! Meerlust Pinot Noir

South Africa’s venture into the making of Pinot Noir did not get a good rap from the judges at this year’s Trophy Wine Show, arguably the strictest in the ever-growing South African wine competition circuit. No, results for Michael Fridjhon’s annual show are not out yet, but last week at the feedback session, agreement that Cape Pinot Noir appears to be a work in progress seemed unanimous.

Not that failing to claim a gold gong at this competition is a calamity – of the 645 entries, only some 5% secured a gold medal, which is about the annual average for the Trophy Show. And when it came to judges’ commenting on the wines entered, the Pinot Noir category was given a brief diss. Narina Cloete, Blaauwklippen winemaker who judged this sector said the wines lacked the reflection of a suitable site. Michael himself alluded to the fact that many regaled Cape Pinot Noir marques were not entering competitions – punters paying R500 and north for a bottle of Pinot Noir were apt to be less supportive of said wine should it fail to meet expectations by not roping any bling in shows entered.

Despite not having a cooking clue as to what a gold medal Pinot Noir – or any other wine, for that matter – looks like, it is a cultivar I enjoy, believing that like rugby matches and pizza, even sub-standard Pinot Noirs are better than not having any in all. My promiscuous drinking of the royal Burgundian red recently had me charmed by the 2022 Pinot Noir from Meerlust Estate in Stellenbosch, one of the few Stellenbosch farms to venture into Pinot Noir and one underscoring the fact that the appellation is actually able of making wines with a distinctive edge from this cultivar.

Look, cool climate Elgin and Hemel-en-Aarde it ain’t, despite the Meerlust patch in what is known as Stellenbosch South is markedly cooler than Simonsberg, Helderberg and Polkadraai. This Pinot Noir does not have any red floral perfume or flirtatiously leaping berry-fruit, but what it lacks in these departments it makes-up for in structure, a reverberating crunch of black fruit and sheer polished presence on the palate.

Aromas are meaty, bloody and feral with a slight grasp of forest-floor, just enough to make the cultivar sign its initials. The wine is plush in the mouth, hitting the senses secure and true with sour cherry, dried fig and mulberry, tannins being sinewy, long and rippling. Burgundy-acolytes will be referencing northern parts of that region, the Meerlust showing a density and power perfected by Gevrey-Chambertin as opposed to the more expansively decorative offerings from lower down Musigny way. I just think it is great show by one of Stellenbosch’s leading producers, more known for its Cabernet Sauvignon, Merlot and Rubicon Bordeaux-style red blend, to comfortably also offer a class Pinot Noir in its arsenal.

Of course, there is also the only Meerlust white wine, namely Chardonnay, and the wine from vintage 2022 shows a lovable fragility that makes you want to stroke the bottle’s head before pouring the next glass. There is a crispness to the wine that is alert and tantalising, as well as accurate expression of varietal character in the specks of sage-butter, Seville orange rind and lemon curd. Pronounced as they are, these flavours are stitched together in a fine, detailed tapestry displaying grace and light rather than resounding and stern depth. Good, and prettily so.  

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Pinot Noir Concert becomes a Symphony

One of the many wine events stalled by the current C-crisis was the annual Chefs’ Lunch hosted by De Wetshof Estate. The De Wet family shares the opinion that the chef community plays a profound role in promoting the wine industry, and therefore deserves all the acknowledgement it can get from those producing el vino. Thus, since 2011 De Wetshof has annually hosted a dining and wining event for between 30 and 40 chefs. It selects a different restaurant for each occasion, and it is just a kick-back, eat-and-drink affair, usually turning into an early-evening party.

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Robertson Pinot Noir is the new Kid in Town

by Lafras Huguenet
Situated en route to my fishing abode at Blombos, I have stopped off at De Wetshof in Robertson since the mid-1990s to stock-up for the coming days’ pulling galjoen, mussel-cracker and Steenbras from the droning white waters on South Africa’s most beautiful piece of coast-line.

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Time for SA Pinot Noir to Get Recognition it Deserves

Speaking on CapeTalk radio recently, one of the foreign judges flown out for the Old Mutual Trophy Wine Show said the quality of the Pinot Noir category surprised her. Especially as the Wine Show’s South African judges were, prior to the tasting, “almost apologetic” about the quality of local Pinot Noir.

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Desiderius, the Commanding Cap Classique

When considering language to tag to the flamboyantly packaged Desiderius Cap Classique in the Pongrácz range, the word “brave” comes to mind. First and foremost, memories of the man Pongrácz himself, a pint-sized contrarian who’s opinionated cockiness was only matched by that of the yapping, peeing pack of miniature Dachshunds accompanying him around the Cape winelands. Here he was inspecting vines, initiating new plantings – Rhône varietals held a special allure – and baiting wine farmers into arguments about his opinion on their stubborn ways.

The second braveness of the Desiderius Cap Classique is the showy bottle. Ribbed and edged in gold, it is not at all modest in appearance, rather resembling a container one would expect to find at a Kardashian 21st bash or a Russian house of ill-repute.

Pongrácz with Dachshunds, some of them.

But since hitting the market 15 years ago, the flamboyant packaging has proved to have been way ahead of its time. Currently, that bottle is right in line with what is deemed as branding desirability.

But at the end of the day, it is about the wine. And here, too, Desiderius is a courageous Cape Classique in terms of style.

The 2009, just released, is a classic partnership of 60% Chardonnay and 40% Pinot Noir, the cuvées pressed from Elgin, Robertson and Stellenbosch fruit. A slight percentage of the Chardonnay sees oak, evidence of which does show up in the final product. And with 72 months lees contact, cellar master Elunda Basson places the wine on a potentially precarious journey.

Nothing but the best base wine is going to complete the six year journey in a state of health, verve and pure Cap Classique expression. It is, thus, a brave quest, and once again the Desiderius gamble pays off.

Stylistically the Desiderius 2009 is in a Cap Classique class of its own. It resembles the Champagnes of Pommard, being more serious and sullen, with a bit of weight and moody depth one does not expect the bright image of sparkling wines to carry.

The Pinot Noir segment zips past the Chardonnay, offering plummy and kumquat notes. The Chardonnay presents an alluring grape-fruit element, with just a hint sorrel and buttercup.

Elunda Basson, Cap Classique maker extraordinaire.

But the wine’s prestige lies in the palate-weight and structure, the firm, succulent grip in the mouth, the commanding density on the senses and the finish which is longer than the legs of a Peruvian supermodel, just smoother.

Desiderius is no wine for frivolous downing at open-air hipster concerts, nor for splashing about at those noisy, uncouth MCC festivals. It is meant for food – live oysters spring to mind – or sipping with a spicy Havana cigar, such as Bolivar.

I am no fan of beauty shows where Champagnes and Cap Classiques are poured blind in an attempt to flummox critics into enthusing how close or better our sparkles are than Champagne. But if a Cap Classique is going to be taken seriously by a Champagne panel, Desiderius will step forward, proud as anything and brave as hell.

·       Emile Joubert

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Vriesenhof: the Home of Greatness

Everyone needs a bit of yesteryear now and again. And whenever this feeling raises its head, Vriesenhof is my place.

Look, I’m all for progress. And having resided and worked in Stellenbosch for almost four decades I am stunned by the continuous evolution the wine industry has shown. Not only in its incomparable wine quality, but the imagination and initiative wine-farm owners have shown in turning the region into a haven for tourists and other visitors. Gourmet restaurants. Cavernous, shiny venues with gorgeous views offering detailed wine-tastings to rows of eager tour groups. Art collections and play-spaces for kids.

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Easy Side of the Heartbreak Grape

Pinot Noir deserves the reverence it commands, for at its best it is an indescribably beautiful wine. More has been worded about this variety’s elegance, charm, grace and seductive character than there has been about the Kennedy Assassination Conspiracy and the Spanish Inquisition – combined.

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