Pinotage: Actually, it’s a Miracle

It was a crisp autumn afternoon in Beaune, the capital of Burgundy, France and the world’s most revered wine appellation, and strolling the ancient cobble-stone streets I came upon a smart shop named Fromagerie Hess. A dense, acrid aroma hit me as I entered, gazing at the rows of cheeses of various shapes, sizes and colours, the variety of which can only be found in France.

At the back of the long narrow space was a section dedicated to wine, together with cheese the other consumable most vividly associated with all good things from the Gallic nation. This area beckoned, and upon browsing the bottles of wines from Burgundy and Bordeaux, Italy and Spain, a familiar label came into sight. It was a bottle of Kanonkop Pinotage.

I had scarcely noticed it when a tall lean man in a white jacket asked whether he could be of assistance. Upon telling him that, like the Kanonkop wine I too was from South Africa, the man looked at the bottle and nodded, in broken English stating that this was a good wine.

“I am surprised,” I said, “that here, in the heart of this famous French wine region, you keep a bottle from South Africa.”

He shrugged his shoulders, as if the statement was foolish and he was bordering on emitting a reprimand.

“We keep the great wines from the world in my shop,” he replied, “and from South Africa, a good Pinotage is a great wine.”

Had my French and his English allowed for a better level of communication, I would have added another aspect of Pinotage. Namely that the wine is also something of a miracle.

For here in 2025, a year marking 100 years since the Pinotage grape variety began after that famous experiment where Abraham Izak Perold crossed two red cultivars – Pinot Noir and Hermitage (Cinsaut) – to set the Pinotage ball rolling, it is apt to note that the journey the grape and the wine has taken from then until now has been nothing short of remarkable.

Looking at the legacy of wine in the world, which began some 8 000 years ago in Georgia in Eastern Europe, most of the known and recognisable grape varieties have histories going back centuries. Such as Chardonnay and Pinot Noir in Burgundy, Bordeaux’s Cabernet Sauvignon and Merlot, Riesling in Germany and Spain’s ubiquitous Tempranillo, to name a few. Yet, in South Africa, Pinotage was only first thought of a century back, with commercial vineyard plantings taking root in the 1950s. As a commercial wine, Pinotage came to being for the first time in 1959. And now, some 66 years later it is an established and recognised part of the global wine conversation, not only being talked and written about as a wine synonymous with South Africa, but also for the distinctive flavour-profile it offers, as well as the proven and internationally acclaimed quality thereof.

Yes, for a grape variety and its wine to be born and to go on to achieve all this in what is but a blink of the eye in terms of the world’s wine culture, is surely miraculous.

But even miracles are not immune to critique and controversy, and here I’d say that South Africans, especially, have been too hard on Pinotage in terms of its merits as a noble grape variety. Local wine writers and winemakers still like to quote those British wine “experts” who visited the country three decades ago and turned-up their noses at Pinotage, stating the wine reminded them of “rusty nails” and “nail-polish”.

Fact is, that the Brits’ self-appointed wine expertise have always had it in for wine varieties made in the so-called New World of America, Australia, New Zealand, South America and South Africa. Australian Shiraz was termed “hot and alcoholic” and smelling of “burnt caramel”. Californian Chardonnay, again, was “big, blousy and tasted like bread-and-butter pudding”. And if you wanted heartburn, a glass of New Zealand Sauvignon Blanc was a sure way of bringing it on.

Fortunately, Pinotage has dropped those initial naysayers, going on to prove itself on the world stage as a variety that when grown under the right conditions and in suitable soils, and in the hands of the right winemaker, is capable of making world-class wines. This Beyers Truter already proved back in 1991 when as Kanonkop winemaker he won the Robert Mondavi Trophy for Winemaker of the Year at the International Wine and Spirits Competition in London. With a Kanonkop Pinotage 1989 – a vintage that came only 30 years after the very first bottled Pinotage, namely a Lanzerac 1959.

Leading critics from around the world have subsequently handed-out trophies, golden accolades and sensational 95pt-plus ratings to various South African Pinotage wines, ensuring that Pinotage’s time has, truly, arrived.

Abraham Izak Perold, Pinotage creator.

This is good for South Africa as a wine-producing country, too. Pinotage might have found its way to the winelands of California and New Zealand – even Israel – but no other grape variety is as associated with the Cape and to South Africa as is the variety than Perold gave birth to a century ago. It is unique, and those who drink and follow wine, well, they like unique and they like different in a world where they are spoilt for choice.

Today, more countries produce more wine than ever before. From Denmark to Canada, China to Lebanon, bottles are being added to the marketplace from every corner of the globe. Consequently, consumers have never been able to so many different wines, from so many different countries, as they are now. With such an abundance, wine-buyers the world over look to a wine-producing country they might not be familiar with, and the first thing they ask is: “What makes the wines from your land unique?”

South Africa has a simple answer: Pinotage. It is here at the Cape, from the mountains of Stellenbosch to the valleys of Paarl and Franschhoek; from the cool maritime climates of Durbanville and Constantia, to the sprawling vineyards of the Breedekloof and Robertson, and between the renosterveld-clad koppies of the Swartland, here Pinotage was born and here it shows it belongs. This is where generations of winemakers have harmonized the grape with its natural environment, making Pinotage wines, the unique flavours and characteristics of which prove that its place is here.

But the minds, hands and the souls of the men and women turning the grapes into wine have as profound a role to play in the legacy and the advent of Pinotage as the individual parcels of Cape geography to which the vineyards are rooted. The traditional saying is that wine is made in the vineyard, but as the late great winemaker Duimpie Bayly used to retort: “When I am told wine is made in the vineyard, I have to remind the audience that one must remember that no horse has ever won the Durban July without a jockey.” And of course, this is true. It takes skill, intuition and understanding of the vineyard and its fruit to transform Pinotage grapes into wine exuding the traits of its place of origin, whilst at the same time offering that evocative red wine complexity in the glass for which it is known.

Each wine is, obviously, a unique individual. But what Pinotage has done over the decades is to inspire winemakers to each make their wines to a style, to a distinctive signature of taste and structure harnessing the grape’s red-blooded individualistic character. And this is the delight, that under the banner of one cultivar, Pinotage, one finds an astounding diversity, a spectrum of enticing red wine variation that, whilst diverse and of multitude, each speak of a discernible Pinotage DNA.

So, Pinotage can be a big wine. Of which Beyerskloof Diesel Pinotage is a statuesque example. This wine, from the home of aforementioned Beyers Truter can be termed a show-stopper as in its making all steps are taken to optimise the variety’s penchant for showcasing a full-bodied depth and unapologetic decadence in its power and unrestrained opulence.

To bring these features to the fore, these grapes of Stellenbosch origin are picked at a stage of complete ripeness. The berries are transformed to open-top fermenters where the magical process of fermentation begins, with sugar transformed into alcohol. To extract tannin, taste and colour from the purple-black Pinotage skins, the intoxicating batch of grapes and juice is punched-down every two hours during the five-day fermentation period, the regular mingling of the skins and juice drawing the essence of the fruit into the fermenting wine, ensuring concentrated completeness.

Once fermented, the wine is removed from the skins and placed in casks of new French oak barrels for a period of 21 months, allowing the wine to be exposed to the tightly-grained wood surface for almost two years, during which tannins are sculpted, flavour enhanced and the wine obtains a polished succulence.

This, Beyerskloof Diesel, is Pinotage at its most Pinotage. Showing that despite its parents – the Pinot Noir and Cinsaut grapes – having relatively light and ethereal personalities, Pinotage itself is capable of presenting itself in a wine of grand scale with a commanding presence.

It is all gorgeous, of the unmissable kind. Aromas of autumnal dark fruit waft from the glass, filling the space around it with fragrance and wilderness. Once tasted, it is unforgettable. Not only for the sheer weight of its presence, the density complemented by a silkiness on the mouth, but for the way it carries tastes of prune and blackberries together with that characteristic brush of fynbos and slight savoury edge of charcuterie.

That a Pinotage style deemed as “classic” comes from Stellenbosch’s Lanzerac winery is no coincidence. After all, the first bottled Pinotage in the world was under the Lanzerac label (1959), although in those days of yore Lanzerac was merely a wine brand belonging to erstwhile Stellenbosch Farmers Winery. Today Lanzerac, situated at the foot of the Jonkershoek Valley, is a commended and functioning winery in its own right, one still committed to the grape variety that ensured its name in the annals of South African wine history.

Lanzerac Pinotage is made from grapes grown in the same Jonkershoek Valley, the beautiful part of mountainous pastoral winelands through which Stellenbosch’s famed Eerste River runs. In the cellar the grape-berries are not manually punched down as is the case with Beyerskloof Diesel, the exposing of juice to those ripe grape-skins instead being done with pump-overs, committed every four hours of the fermentation period. This refined approach to winemaking is furthered by winemaker Wynand Lategan’s choice of barrel fermentation. Here a diverse selection of barrels is chosen in which the wine is to embark on a 15-month slumber, namely barrels of virgin new oak, as well as casks previously used for one or two seasons to age wine. These used barrels have a lighter grip on the wine’s structure, allowing the opening of the doors to emit brightness and fruit-purity.

Lanzerac Pinotage is one of those Pinotages proving that elegance is one of the variety’s features, a mannered nobility that must have been at the forefront of Perold’s mind when he toyed with the idea of creating a new South African grape variety for the world.

This wine has a clarity and focussed fruit-core, with red-currants and damson allowing a lift, a perkiness to prod through the sensual cloak of coiled muscular tannins. Balance and poise are discernible as tannin, acidity and sugar combine with presence and structure in a wine which one not only drinks, but experiences.

An unbridled delight of the Pinotage industry is seeing the younger generation of winemakers showing an infatuation with this variety, and it is in their hands that the future of the grape lies. True, the foundations were laid by the pioneers who aimed to bring the deeper weight and gravitas of the grape to the fore with intense extractions and aging in – or a component of – new wood.

But there is, as with all wines, space for a renewed focus to complement and to build on the deep paths trodden by the more mature school of approach, and this is opening-up a whole new field of appreciation for the Cape’s beloved home-grown variety.

One of these younger gunners is Jolandie Fouché, owner of the wine brand named Wolf & Woman which includes a Pinotage wearing a new cloak of understatement allowing the spectacular tapestry of fruit elements to display themselves in a superlative wine.

Wolf & Woman Pinotage is made from old vines, 50 years and more, grown in the Swartland region and the winemaking is of the subtle less-is-more kind. Instead of fermenting her Pinotage for five to six days with extracting taking place regularly, Wolf & Woman’s wine is kept on the skins for two weeks, with only one extraction daily. For maturation, large 500 litre and 300 litre barrels are deployed – all old, used wood – the wine spending eight months in their casks. Then, before bottling the wine is placed in concrete tank for a month to gain further refinement.

The result is a Pinotage that has grabbed the imagination of wine critics and commentators as one of the new-wave wines underscoring the fact that the future of Pinotage is in good hands. At only 12.5% alcohol, Wolf & Woman has a delicious crunchy succulence with tastes of juice-laden cherries and plump plum, a wine that caresses the palate with a riveting, racy freshness, yet presenting enough deftness on the palate to ensure its presence is never fleeting, never forgotten.

As Pinotage heads into its next century, its future looks as illustrious and brilliant as the wine’s miraculous past. In fact, it has only just begun.

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Coming in from the Old

Wine has a true friend in time, that concept of the aged and old, the historical and antique deemed nothing but beneficial and revered in the halls of wine-speak. A bottle bearing a label attesting to that wine having been made 40 years ago or more is carefully held in hands slightly trembling in awe, the contents spoken of in hushed tones of respect and anticipation. It is the names of wine cellars from Bordeaux to Piedmont, Rioja to Stellenbosch, Napa to Robertson who have been making wines for decades and centuries that command admiration on account of their legacy and reputation, places whose history and generations of cellarmasters underscore and extend the providence of the wines they have made for years, and will be making for years to come.

The old vineyards from which wine is made, too, bear a gravitas. These living plants rooted for years and generations in patches of soil they call home. They have withstood the challenges and tests of time by, year-in and year-out, ripening bunches of fruit from which the wine is made. Stormy winters belted their leafless shoots and gnarled trunks with wind and rain, snow and sleet. They have battled under the sun of scores of hot summers, offering a warrior-like and formidable resistance to the harsh rays’ heat and the parching dryness it brings to the soils, where those life-giving roots lie deep and true. These senior sages have adapted to the heartless vagaries of nature, learnt to exist in its ever-changing rhythms.

South Africa did not invent the concept of recognising and honouring the unique properties of old vineyards and the need to embrace them as an integral part of a country’s wine legacy. Europe, Australia and the Americas have older vineyards than South Africa, and more of them. But through innovation and will, a proud realisation of the role old vineyards offer a country’s legacy as well as current wine profile, South Africa has to a large extent taken charge of a rebirth in the global recognition of the role old vines play in the wine.

That’s why the name Rosa Kruger can be found at the top echelon in terms of South Africa’s most important wine people. Back in 2002 this former lawyer and journalist fell under the spell of the many old vineyards she had encountered during her forays as viticulture consultant.

Timeworn patches of vines, many forgotten, were tracked down in the Swartland, outside Vredendal and in Citrusdal. Spirited place-names such as Piekenierskloof, Skurfberg and Moutonshoek added to the allure. And once rock-star winemakers like Eben Sadie, Adi Badenhorst and Chris Alheit showed  – with the inspiration of Kruger – an interest to vinify the fruit from these low-yielding far-flung vineyards, it all began falling together rather nicely as a greater understanding of South Africa’s old vineyard treasures made its way into the public domain. Then in 2016 the Old Vine Project was launched to map all vineyards over 35yrs old and whereby wineries wishing to do so could honour the wines made from these mature vines with an official seal.

Rosa Kruger

The Old Vine Project’s innovative approach to creating a platform from which the magical appeal of old vineyards and their resulting wines could be expressed did not only capture the imagination of the local wine world. Kruger’s brain-child and her unbridled commitment to these vinous treasures in Southern Africa sparked an interest in old vineyards from around the world, and among the many international accolades she has received has been Wine Personality of the Year for 2018 at the International Wine Challenge.

Time and age are synonymous with romance. And for sure, as with any art form, romance has a vital role to play in wine, otherwise it would not be the multi-layered and diverse offering it is – no other consumed product has more labels portraying more countries and areas of origin than wine. Throw-in 6000 years of wine’s presence in the world presided over by humankind, and the romance is unavoidable.

But today is today, with consumers becoming more questioning and discerning. And the ask is, besides all the nostalgia and violin-playing to honour vineyards that have stood in the soils for 40, 50, 60 years, do they make better wines? If not, what is the song and dance all about?

Kruger herself says: “Do old vines make better wine? I believe they very often do. Age in vines brings an intensity, a perceived freshness, a texture and a sense of place. They show less fresh fruit and varietal character, and more terroir and soil.”

But it is to the winemakers I want to go to get an explanation, they who oversee the farming of the old vineyards and who at harvest-time must send the bunches of ripe grapes on the road to becoming a bottled wine. And here it is apt to turn to those who make Chenin Blanc, the erstwhile work-horse grape of the Cape wine industry that understandably represents the greatest mass of the country’s Old Vine spread. Of the 4 292ha of vineyards aged 35 years and older, Chenin Blanc represents 2 207ha – the next largest is Sauvignon Blanc at 454ha, to give an idea of Chenin Blanc’s dominance.

Tertius Boshoff

Stellenrust in Stellenbosch is one of the country’s great Chenin Blanc brands  – in 2023 four Stellenrust wines found their way in to the Standard Bank Chenin Blanc Top 10, with a wine made from vineyards planted in 1964 being among the farm’s most revered offerings.

Tertius Boshoff, co-owner and winemaker at Stellenrust, is not hesitant to reveal the intoxicating effect of old vineyards, remaining pragmatic before a poetic tone embraces his words.  “It’s not that old vines – 35 years or older – necessarily produce better fruit,” says Boshoff. “Often yields decrease as the vine ages – so it’s not all sunshine and roses. But Old vines are like old people – they have seen good times and bad come and go, and are at peace with themselves, comfortable in the knowledge that they can deal with anything.” 

He fiddles with a cork-screw and smiles. “Young vines, like young people, are often enthusiastic growers and a touch too vigorous. They set more fruit than they can ripen. But as they age, vines learn to self-regulate. Yields come into balance and the grapes ripen slower and more evenly. Older vines produce smaller berries, which leads to powerful fruit concentration and consequently more structured wines; there’s a greater ratio of tannin-packed skin to juice. We see vintage-on-vintage consistent premium quality and beautiful pH levels in the juice.”

Stellenbosch, in fact, is the headquarters of South Africa’s Old Vine Chenin Blanc offering, carrying 558ha of the total national spread of 2 207ha. Kleine Zalze Wines uses the largest portion of Stellenbosch Old Vine Chenin Blanc, the enticement of this category shared by Kleine Zalze’s French owners Advini who deem it a jewel in the Cape wine crown.

RJ Botha in an old Kleine Zalze vineyard.

RJ Botha, cellarmaster at Kleine Zalze, relishes in this offering of Old Vine Chenin, deploying the fruit in a diverse range of the marque’s wines.

“There are two ways of recognising the allure of Old Vine Chenin Blanc,” says Botha. “On the one side, there is the attraction of each vineyard having a story to tell. These are of old, gnarled vineyards growing on tough granite soils that have for over three decades been exposed to stormy winters, breezy spring seasons and sun-drenched summers. Through age, they have become a part of the soils and their environment, able to truly express the world in which they have lived – which we on the outside call terroir.”

This brings Botha to the second beguiling factor of Old Vine Chenin Blanc: and that is, when it comes to working with the grapes in the cellar, the character of the grapes deserves the aforementioned respect they deserve.

“Old Vine Chenin Blanc vineyards express the varietal character and terroir more vividly than younger vines do; it’s as simple as that,” says Botha. “You see it in the tight bunches of small berries. The juice spreads its intoxicating aroma through the cellar at harvest time. And the balance between sugar and acid is tense, almost electric, leading to wines of multi-layered complexity.”

Studies done by the Old Vine Project show that wines from old vineyards have discernible differences to those from younger wines, mainly in terms of concentration, texture and length.

“No-one says old vines make better wines, but that the wines have an own personality and individual finger-print, this is non-negotiable.”

Chenin Blanc might be ruling the roost in the Old Vine scenario, but South Africa’s national red grape of Pinotage delivers two of the country’s greatest red wines made from historical vineyards in the Lanzerac Commemorative Pinotage 2019 and Kanonkop’s perennial iconic Black Label Pinotage. Both wines, incidentally, made from vineyards planted in 1953.

Wynand Lategan, cellarmaster at Lanzerac who had the honour of making the Commemorative Pinotage from an old vineyard planted in Stellenbosch’s Bottelary appellation, says this wine would not have been what it is without the old vineyard fruit.

“I just think old vineyard fruit brings soul to a wine,” he says. “Compared to the other vineyards I use for our Lanzerac wines, I look at an old vineyard as the Chairman of the Board. The grapes don’t always have the virility and up-front fruit you find in younger vines, but the Chairman has seen it all. He isn’t easily affected or influenced by storms, drought or wind, nor the discrepancies of different seasons. There is just that quiet confidence honed by decades of having seen and lived it all. It is almost as if the old vineyard is saying ‘don’t sweat the small stuff in life’. Because the old vines bear fruit that have an immovable gravitas, leading to wines of assured length and substance that will prevail over everything else.”

Gravitas in wine, seemingly, but Old Vines also carry a hefty marketing clout. Few realise this better than Shirley van Wyk, MD of Franschhoek luxury wine destination Terre Paisible which includes a historical vineyard Sauvignon Blanc in its portfolio, Les Dames de 1987 Sauvignon Blanc made from a vineyard planted in 1987.

“Despite being a new destination, I was from the outset adamant about cherishing our old Sauvignon Blanc vineyard through a wine aptly called Le Dames de 1987 in the Terre Paisible line-up,” says Van Wyk. “History, provenance and legacy will always have tremendous marketing appeal, so if you have access to these traits in any of your offerings – use them. For us, an Old Vine Sauvignon Blanc is a major benefit for Terre Paisible, not only honouring our but also the whole of the Cape’s winemaking heritage.”

Known as one of South Africa’s leading wine marketers with a background in advertising and film, Van Wyk talks the Old Vine talk with charming conviction: “Old Vines are like beautiful history books – they carry the stories of all the harvests past and when we take the time to nurture them, they have so much to give back. These vines have survived many seasonal changes and climatic extremes and are now so resilient and adapted that they easily bear fruit each year which carry the nuances they have so carefully cultivated over the year. It is a gift to work with these vines and to capture their essence.

 “In a time where there is such a rush for instant gratification, new technology, innovation etc – it is ever more important to protect, respect and cherish our heritage wherever we can. Our old vines are treasured, and we are doing our best to ensure we look after them for many years to come.”

A search for a pragmatic and less romantic explanation behind the allure of wines made from old vineyards led me to Robertson and De Wetshof where my personal wine sage Danie de Wet planted a block of Chardonnay in 1987, the 37-year-old vineyard still harvested for making De Wetshof’s magnificent Bateleur Chardonnay.

“My answer as to the merits of old vineyards? Well, each year when the De Wetshof team tastes the barrel and tank samples of that season’s harvest it is the Bateleur that comes out as the best wine in the cellar,” says De Wet. “And it is made from the oldest vineyard on the farm, so if you put two-and-two together, the answer could be that more mature vineyards give an added dimension.”

Being a man of science but with enough experience and savvy to realise that vineyards and wine do bear unanswered mysteries, De Wet is not going to pin-point a specific reason for this added dimension. But he turns to the subject of soil, and he goes deep.

“Above the surface, the vineyard changes in each season as shoots are pruned, leaves grow and drop-off, grape-bunches develop and are then removed when ripe,” he says. “But what happens beneath the soil, there where the vines’ roots are, this we never know. An old vineyard can have roots going down to 10, 15 metres beneath the surface, prodding between the soils’ various layers, seeking nutrients and carrying what has been discovered deep below the earth through the vine and into the grapes as they ripen. I can only think that it is what these older roots find deep down below that adds another level of character and personality to the vine itself, which finds its way into the final wine.”

That the time is right to talk of the hot topics that are old and age in vines and wine, this is a given. But the finding of the answers is going to demand a lot more time, and this has still to come. If ever  – sometimes a mystery should remain shrouded, especially one that is as fascinating as this.

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Wines Worth Burning the Wallet For

Anyone with a nose to the local wine industry will have heard industry pundits, propagandists and prophets implying that this country’s wines are undervalued. Which is nothing more than a euphemism hinting that local and international consumers should be paying bigger for South African wines, and producers should be charging more.

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Lanzerac and Stellenbosch Royalty

I am standing 400m up on a mountain overlooking the town of Stellenbosch, Table Mountain lurking in the distance. The steep slopes are covered with vines, as are those on the other side of the Jonkershoek Valley. Directly below, the white-washed old buildings of Lanzerac hotel and winery sparkle in the midday sun. I brace myself for the wine maker’s viticulture insights, notebook poised for words on soil types, harvest yields, vine-spacing and average daytime temperatures.

“Over there,” says the wine maker, Wynand Lategan, pointing away from the vineyards to the town. “That’s where I was born, right there in Stellenbosch Hospital.”

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Time for Super Pinotages has Come

Quietly, the new category of Super Pinotages is causing a ripple through the incoming tide of things offered by Brand South Africa. Not everyone – present company excluded – is convinced that Pinotage can bear the torch as the nation’s grape: that sought-after focused ray of light, in clarity unmatched by any wine country, that cuts through the wad of global vinous offerings and makes universal consumers sit up and say, “Oh, that is South Africa in a glass, and we all like it. What a great piece of the wine world that neck of the woods must be.”

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Two Greats from Lanzerac Plus One Bliksem of a Wine

Being a result of humanity and culture, wine is inextricably linked to the language spoken in the regions where it is made. That is why, as I have stated before, one cannot truly understand the completer depths of the South African wine industry without a basic knowledge of Afrikaans.

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The Day Mrs English Saved my Life

A Bordeaux-based psychologist and wine-lover, Maxine Engel, once wrote-up research showing that most male French wine critics had a greater fear of losing their senses of taste and smell than they did of erectile dysfunction. Well as they say in the classics, priorities aren’t what they used to be. But I do confess to having had a terrifying experience recently when some ’flu medicine rendered my delicate palate and keen olfactory ability just about useless.

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The General and the English Missus

lanz

Drooling with history, heritage, culture and all those x-factors classic wine industry marketing requires, Stellenbosch’s Lanzerac brand keeps a relatively low profile. Its setting at the beginning of the Jonkershoek valley is majestic. History goes back to 1692. Aesthetically the Cape Dutch “Prag-en-Praal” hotel and winery is crisply colonial enough to have a UCT pink liberal itching for his dung-bucket. And colourful moments in Lanzerac’s wine legacy include its name as the first ever Pinotage bottling anywhere, circa 1959.

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If it’s a Wine Festival it has to be Stellenbosch

If you can remember the Stellenbosch Wine Festival of the old days’, you probably weren’t there. This was held in the Town Hall in Plein Street, and around its heyday circa 1982 it was an ideal place to get mindlessly drunk under the pretence of experiencing Stellenbosch’s wine culture. I mean, give a few hundred 19 to 25 year olds a wine glass and tell then they can get it topped up all night for free, and the result is not going to end in spirited debates on the poetry of NP van Wyk Louw interspersed with rigorous bouts of waltzing to a boere-orkes.

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