Finding the Burgundian Heart of a Cape Wine Legend

Spring has broken in Burgundy, the cool air scented not by blossom or sun but by broken earth which is the very scent of life itself. From Gevrey-Chambertin, south through the vineyards of Musigny, Nuits-Saint-George, all the way down to Puligny-Montrachet, here soil is being broken between the vines. Magnificent gargantuan cart-horses walk sagely between the vineyards’ narrow rows drawing a plough that makes calm scraping sounds as the instrument’s single human driver follows behind.

I open the window on my side of the car, and the smell of wet, rich, ancient, live-giving soils of clay and marl and limestone is overwhelming. It smells of iron and stone, of cool and wet. Of goodness, and of peace. This extraordinary land, the most famous wine land in the world, is quiet. It is only the horses. And two, three individuals seated on benches among the vines, tending and caring and loving these magical mystical plants that, in six months’ time will give birth to the greatest of wines.

We cut back at the village of Puligny-Montrachet, taking a bead up the slope of the Côte-d’Or, heading back north along a narrow road. Before us lie the vineyards of Montrachet, and Bâtard-Montrachet, then Chevalier-Montrachet, open-air cathedrals of vinous glory. The stumps are short and low, the guyot-style tendrils creeping like witches’ fingers along a taut wire. Soil is russet, with chalkstone and darker clods and, in places, a powdery gravel. Marine green moss grows on some of the older, thicker vine stumps. Beneath a broad, cool grey spring sky, it is all enchanting. Glorious, in fact, as man’s intimate nurturing of nature is presented at its very best among these vineyards.

The journey is dream-like, but not without destination or purpose. For it is the Clos des Mouches that must be found. The vineyard of the honey-bees.

Back in the town of Beaune, we cut west along a winding road between vines that are now set on steeper slopes than those further south. At the top of a hill, there is a place to pull over at, and there is a map of the Beaune vineyards, for such places of geographical importance must be referenced.

And referencing is important, for we – four of us – are on a mission. A mission of paying homage to the transcendental power of the spirit of wine, one that knows no boundary in its quest to enrich kindred spirits around the world. Such as what the Clos des Mouches vineyard did.

The team finds the vineyard, and we stop at its ancient border wall. This is a high place, 280m above the sea’s level, and like the other vineyards, the 25ha Clos des Mouches is empty and it is quiet. The air is still, and the only sound is that of our feet crunching on the earth, which here is paler in colour and drier and hardier than down below Montrachet way.

We are Team De Wetshof. Johann de Wet, Bennie Stipp and Heinrich Bothman and myself, standing in the vineyard that gave birth to a South African legend.

Some 14ha of the Clos des Mouches belongs to Maison Joseph Drouhin, the iconic Burgundy house based in Beaune. This 14ha spread was the first vineyard land Drouhin acquired back in 1921, and the red and white wines made under its classic distinctive label are some of the very best from Beaune. Both Premier Cru wines, but widely regarded by those in the know as worthy of Grand Cru status.

The connection between Clos des Mouches and South Africa began in 1981 when Jan Boland Coetzee, the South African son of wine and soil, was living in Burgundy and working for Drouhin. He was here to unravel the mysteries of vine and earth, culture and history and Pinot Noir and Chardonnay.

Experiencing Chardonnay was vital and a lesser-known pursuit for Cape winemakers, as the grape was not much known back in South Africa. The confines of wine industry legislation made the introduction of Chardonnay laborious and time-consuming. If the official route were to be followed, it would take Cape producers between 10 and 15 years to legally establish the noble white Burgundian beauty into the country.

But Danie de Wet wanted Chardonnay. And was willing to go to surreptitious lengths to establish his beloved grape variety in the limestone soils of De Wetshof, Robertson. And what a friend did Danie not have in Jan Boland Coetzee.

So it came in the raw cold months of 1981 that Jan Boland went to the Clos des Mouches vineyard and cut a few bunches of shoots from the dormant Chardonnay vines. These shoots were wrapped in newspaper, dampened. And carried back to South Africa by Fritz Joubert, a journalist and friend of Jan who had come to visit and to see Burgundy for himself.

Back on De Wetshof, Danie took those precious shoots that still smelled of Burgundy earth and of the Clos des Mouches. He propagated these, and in 1987 planted the Bateleur vineyard on De Wetshof. A vineyard planted to the exact same material as the vines we are now in 2023 standing among. Here, on the slope above Beaune looking north-east above wide-open silver skies where one truly has the world at your feet.

Each of us is busy with our own thoughts. Me, I am having visions. Of Cistercian monks tending vineyards right here some 900 years ago. The men are humming choral tunes. For despite it being a hard life, the monks are at peace, for they live by the credo that the more one suffers, the closer thou be to God. And each year, there will be a time to rejoice in the beauty and the grace of these vineyards’ ripe grapes, and then the tasting of the young wines providing joy and rewarding the toil and sombre, cold monastic life.

And now the Brothers would be looking down, perhaps. With blessing and goodwill at the way we four men from a faraway southern African land acknowledge and love the soul of all that is wine, the heart which allowed the spirit of Burgundy and the Clos des Mouches to be carried to our country. To our place. Where we hold it so very dear to our hearts, while always, just always, honouring Burgundy. Forever Burgundy.

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De Wetshof Bateleur and the Blue Blood of Burgundy

Napoleon ordered his troops to salute the vineyards of Chambertin whenever they passed – such was his reverence for the patch of Burgundian soil that delivered his favourite wine. I get the same urge when stopping at a specific rocky lay of land on the De Wetshof Estate in Robertson and seeing that piece of earth where the gnarled Chardonnay vines stand used for creating the estate’s Bateleur Chardonnay.

And let’s face it, in these claustrophobic times of shut-down, anything named after a magnificent free-flying eagle has a particular allure.

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Edgebaston, Mulderbosch, DeWetshof

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Three Glugged Whites

Edgebaston The Berry Box White 2013

Complexity and freshness rule in this, one of my perennial white favourites. David Finlayson is a master of the blend and has perfected a choral harmony from three varieties: Sémillon, Sauvignon Blanc and Viognier. Sauvignon Blanc provides the typical bolt of zesty freshness, while the Sémillon gives a welcoming firm mouth-feel and educated waxiness.

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Show-down in Bordeaux

 

Boere preparing to take on Bordeaux together with a representative from WIETA.

Heading off to Arcachon outside Bordeaux later this month, part of my visit will entail presenting a tasting of South African wines to some local journalists, rugby players and vignerons. As the first American on French soil?+¦-+?+¡during D-Day said: ?+¦?+º?+¦There ain’t no free lunch.?+¦?+º?+æ

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South African Chardonnay a Blue-Print for Excellence

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?+¦-+?+¡Having smuggled the Chardonnay vine-cuttings into the country with which the industry was founded, we Jouberts have always been partial to South Africa’s interpretation of the royal Burgundian white. From the smoky sweet clunkers of the 80’s, the high-alcoholic 90’s and the experiments with malolactic fermentation in the early 2000’s, the advent of South African Chardonnay has been well-documented and discussed during family gatherings. Not to mention consumed. In fact, all the grand-children of Fritz Joubert, the mule who clandestinely carted the cuttings from the Clos des Mouches to Robertson, were Christened with a thumb-print of Louis-Jadot Meursault on the forehead.

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Cape Wine 2012 in a Rush

 

Uma Thurman shows that a Merlot tasting can get messy.

The Bride had just sliced the head off her second masked Yakuza gangster when it hit me: what had really just happened over the past few days? Here I was, sprawled on the futon watching Kill Bill Volume 1, lulled by a warm comatose feeling of exhaustion and satisfied post-hectic workweek euphoria.

What a week, I thought looking at the screen as The Bride, aka Uma Thurman, drove a nail through the head of a Japanese schoolgirl.

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