Finding the Burgundian Heart of a Cape Wine Legend

Spring has broken in Burgundy, the cool air scented not by blossom or sun but by broken earth which is the very scent of life itself. From Gevrey-Chambertin, south through the vineyards of Musigny, Nuits-Saint-George, all the way down to Puligny-Montrachet, here soil is being broken between the vines. Magnificent gargantuan cart-horses walk sagely between the vineyards’ narrow rows drawing a plough that makes calm scraping sounds as the instrument’s single human driver follows behind.

I open the window on my side of the car, and the smell of wet, rich, ancient, live-giving soils of clay and marl and limestone is overwhelming. It smells of iron and stone, of cool and wet. Of goodness, and of peace. This extraordinary land, the most famous wine land in the world, is quiet. It is only the horses. And two, three individuals seated on benches among the vines, tending and caring and loving these magical mystical plants that, in six months’ time will give birth to the greatest of wines.

We cut back at the village of Puligny-Montrachet, taking a bead up the slope of the Côte-d’Or, heading back north along a narrow road. Before us lie the vineyards of Montrachet, and Bâtard-Montrachet, then Chevalier-Montrachet, open-air cathedrals of vinous glory. The stumps are short and low, the guyot-style tendrils creeping like witches’ fingers along a taut wire. Soil is russet, with chalkstone and darker clods and, in places, a powdery gravel. Marine green moss grows on some of the older, thicker vine stumps. Beneath a broad, cool grey spring sky, it is all enchanting. Glorious, in fact, as man’s intimate nurturing of nature is presented at its very best among these vineyards.

The journey is dream-like, but not without destination or purpose. For it is the Clos des Mouches that must be found. The vineyard of the honey-bees.

Back in the town of Beaune, we cut west along a winding road between vines that are now set on steeper slopes than those further south. At the top of a hill, there is a place to pull over at, and there is a map of the Beaune vineyards, for such places of geographical importance must be referenced.

And referencing is important, for we – four of us – are on a mission. A mission of paying homage to the transcendental power of the spirit of wine, one that knows no boundary in its quest to enrich kindred spirits around the world. Such as what the Clos des Mouches vineyard did.

The team finds the vineyard, and we stop at its ancient border wall. This is a high place, 280m above the sea’s level, and like the other vineyards, the 25ha Clos des Mouches is empty and it is quiet. The air is still, and the only sound is that of our feet crunching on the earth, which here is paler in colour and drier and hardier than down below Montrachet way.

We are Team De Wetshof. Johann de Wet, Bennie Stipp and Heinrich Bothman and myself, standing in the vineyard that gave birth to a South African legend.

Some 14ha of the Clos des Mouches belongs to Maison Joseph Drouhin, the iconic Burgundy house based in Beaune. This 14ha spread was the first vineyard land Drouhin acquired back in 1921, and the red and white wines made under its classic distinctive label are some of the very best from Beaune. Both Premier Cru wines, but widely regarded by those in the know as worthy of Grand Cru status.

The connection between Clos des Mouches and South Africa began in 1981 when Jan Boland Coetzee, the South African son of wine and soil, was living in Burgundy and working for Drouhin. He was here to unravel the mysteries of vine and earth, culture and history and Pinot Noir and Chardonnay.

Experiencing Chardonnay was vital and a lesser-known pursuit for Cape winemakers, as the grape was not much known back in South Africa. The confines of wine industry legislation made the introduction of Chardonnay laborious and time-consuming. If the official route were to be followed, it would take Cape producers between 10 and 15 years to legally establish the noble white Burgundian beauty into the country.

But Danie de Wet wanted Chardonnay. And was willing to go to surreptitious lengths to establish his beloved grape variety in the limestone soils of De Wetshof, Robertson. And what a friend did Danie not have in Jan Boland Coetzee.

So it came in the raw cold months of 1981 that Jan Boland went to the Clos des Mouches vineyard and cut a few bunches of shoots from the dormant Chardonnay vines. These shoots were wrapped in newspaper, dampened. And carried back to South Africa by Fritz Joubert, a journalist and friend of Jan who had come to visit and to see Burgundy for himself.

Back on De Wetshof, Danie took those precious shoots that still smelled of Burgundy earth and of the Clos des Mouches. He propagated these, and in 1987 planted the Bateleur vineyard on De Wetshof. A vineyard planted to the exact same material as the vines we are now in 2023 standing among. Here, on the slope above Beaune looking north-east above wide-open silver skies where one truly has the world at your feet.

Each of us is busy with our own thoughts. Me, I am having visions. Of Cistercian monks tending vineyards right here some 900 years ago. The men are humming choral tunes. For despite it being a hard life, the monks are at peace, for they live by the credo that the more one suffers, the closer thou be to God. And each year, there will be a time to rejoice in the beauty and the grace of these vineyards’ ripe grapes, and then the tasting of the young wines providing joy and rewarding the toil and sombre, cold monastic life.

And now the Brothers would be looking down, perhaps. With blessing and goodwill at the way we four men from a faraway southern African land acknowledge and love the soul of all that is wine, the heart which allowed the spirit of Burgundy and the Clos des Mouches to be carried to our country. To our place. Where we hold it so very dear to our hearts, while always, just always, honouring Burgundy. Forever Burgundy.

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De Wetshof Bateleur and the Blue Blood of Burgundy

Napoleon ordered his troops to salute the vineyards of Chambertin whenever they passed – such was his reverence for the patch of Burgundian soil that delivered his favourite wine. I get the same urge when stopping at a specific rocky lay of land on the De Wetshof Estate in Robertson and seeing that piece of earth where the gnarled Chardonnay vines stand used for creating the estate’s Bateleur Chardonnay.

And let’s face it, in these claustrophobic times of shut-down, anything named after a magnificent free-flying eagle has a particular allure.

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Heady Heights of Burgundy with Comte Georges de Vogüé

Burgundy breaks you, and I am broken. Slowly, though, just beginning to pick-up the pieces after a head-on collision with the power and the beauty, totally seduced by the devilish-angelic allure of one of the greatest producers from the world’s most revered wine region.

Nothing seems quite the same anymore.

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The Great Cape Gatsby

The gunshots were still echoing in the night sky, but I was assured they were the last. For that night, at least. My uber-driven vehicle had arrived, courtesy of the Bonteheuwel Burgundy 73 Wine Society for which I had been asked to present a tasting of Côtes de Beaune Pinot Noirs, as well as to give a bit of general lowdown on the region. They are very into geography on the Cape Flats.

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Grenache Greatness from Neil Ellis

Old vineyards do not guarantee good wine, as I have always suspected despite the generalised assumption that a wrinkly ancient vineyard planted when Jan Smuts was still being breast-fed just has to produce fantastic grapes. At a recent memorable tasting of Grenache wines from a vineyard in the Piekenierskloof outside Citrusdal, Neil Ellis confirmed these suspicions. However, the Master said, when it comes to Grenache, the vineyard only tends to get a sense of direction after hitting 20 years.

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Screwed and Peeved at Trophy Wine Show

Producers of screw-cap wine closures are reeling after this year’s Old Mutual Trophy Wine Show failed to back their cause of promoting artificial steel bottle tops ahead of the more traditional, effective and carbon-neutral cork stoppers. This after organisers of last year’s Trophy Wine Show went to extra lengths to blame cork for faulty wines, supressed fruit expression, oxidation, the plight of missing flight MH370 as well as the outbreak of Asian bird-flu in the southern hemisphere.

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Chardonnay’s Heart at Hartenberg

Carl Schultz from Hartenberg waltzing through the vines.
Carl Schultz from Hartenberg waltzing through the vines.

Perfection, or near perfection, must be a heavy burden. How do Carl Schultz and his team at Hartenberg Estate handle it? Such a diverse range of wines, all made to such high standards – it’s all enough to make a French vigneron kick a hole in a vat of 1928 Armagnac.

Hartenberg makes a mean Merlot. Stupendous Shiraz. Riveting Riesling. Cracking Cabernet. But my heart was won over, again, recently by the Chardonnay. Not the iconic Eleanor, but the straight-up Hartenberg Chardonnay from the very classy 2009 vintage.

This came courtesy of a good offer from my sales agent at the Wade Bales Wine Society at a price that made me wonder if this stuff hadn’t fallen from the back of some truck. But I bought a case, most of which has been sent down the hatch, leaving me half-a-bottle from which to contemplate.

The wine is clear and attractive with a lovely greenness to the golden robe, as usually worn by a classic Chardonnay south of the Beaune region in Burgundy. A chunky firm attack on the palate leads to an armada of ripe fruit, from stewed quince, grated Packham pear, kumquat and Key Lime Pie. This is all supported by a zesty acidity, giving the wine more life and verve than a Mavericks’ dancer on Free Russia Day.

Unlike said dancer, the Hartenberg Chardonnay only has a bit of wood, not enough to mask the life in the wine but just the right amount to provide a silky, buttery mouth-feel and a lingering finish.

Score: 9013/1000

 

hartie one

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Chardonnay Report Gets Top Marks

 

The Top 10

 

Despite the calls to duty asking us to embrace Chenin Blanc as the National South African White Grape and the reactionary colourful spats generated by the Sauvignon Blanc fraternity, there is only one real South African white wine worth taking to an international gun-fight, and he be Chardonnay.

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Yorkshire’s Finest Putting Oemf into South African Wine Education

 

Successful WSET Level 2 graduates celebrate receiving their certificates and pins. L to R from back: Zola Williams, Angelo van Dyk, Barry Scholfield. Middle rows: Herman Jordaan, Harry Ravelomanantsoa, Chantelle Swanepoel, Celeste Munge, Esme Groenwald. Front rows: Richard Barnett, Grant Michels, Sune Eksteen (WSET Lecturer), Jude Mullins AIWS (International Business Development Director for WSET), Cathy Marston AIWS (WSET lecturer), Isobel Odendaal.

?+¦-+?+¡Personally, I’d like to learn a lot more about wine. But the few wine courses I have attended here and in Burgundy have ended in tears, harassment, pain and expulsion and that was before the tasting side of the programme started.

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Burgundy or Bust

Clos Vougeot

Got into Burgundy. Wished I was nowhere else. Headed from Dijon, south past the Mustard City’s urban sprawl. Dig the bowling alleys and pizza parlours. Then came the vineyards, and then the names: Gevrey-Chambertin. Vougeut. Vosne-Romanne. Nuits-St Georges. More Holy Grails than in a poker-hand of five aces.

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